How do you preserve the label’s heritage while remaining modern?
We’re fortunate to have an archive that goes back to 1910. As a design team, we can use our past to define our future to ensure that our products are both authentic and relevant. We consistently sense-check our archive, design heritage and the principles with which we create products at Barbour.
We are also lucky because the core elements of our DNA – wax, quilt, tartan, cord and brass metalware – are very forgiving in how you can play with them, while still looking like a Barbour product. We find that if we ‘stick to our knitting’ in terms of our designs, our customer is very accepting and excited by new shapes and directions.
What does Barbour stand for to you?
Barbour has become a national icon of sorts; the no-nonsense pragmatism behind our products and our family-run business is reassuring and attractive. At its heart, you have to go back to our catalogues over the last century and the phrase ‘The best British brand for the worst British weather’. I’ve always loved that statement. There is a directness and brevity to it, which is something of a lost art form these days.