INTRODUCING:

RAF SIMONS REDUX

As the lauded designer celebrates 25 years of his label with reissues of his iconic designs, Samuel Trotman (@Samutaro) explores how Simons has helped shape the meaning of a fashion ‘grail’

INTRODUCING:

RAF SIMONS REDUX

As the lauded designer celebrates 25 years of his label with reissues of his iconic designs, Samuel Trotman (@Samutaro) explores how Simons has helped shape the meaning of a fashion ‘grail’.

Words: Samuel Trotman

In 2018, a collector forked out more than a staggering $47,000 for the super-rare “Riot Riot Riot Camo Bomber” from Raf Simons’ autumn/winter 2001 collection – a silhouette regarded as one of the most iconic Raf pieces of all time. The faded and patched camouflage jacket had long been coveted by archive aficionados, as it marked the Belgian designer’s more radical period, but it wasn’t until Kanye West borrowed the jacket from archival-fashion collector David Casavant and wore it for two months straight that it truly reached grail status. Following its outings on Kanye and sometimes on his wife Kim, identical jackets were spotted on the backs of other highly influential names including Rihanna and Travis Scott, with the price of the jacket only seeming to increase with each new sighting. All of which created the fervour that ultimately led to the stupefying amount in the final sale.

Our buyers’ favourite pieces

Resale prices don’t paint the whole story of Simons’s fandom, of course, but the hype around his vintage clothes has helped turn the vintage menswear market into a micro economy of its own. What the bomber jacket proved is that Simons has always been ahead of the game. When he added David Bowie and Bauhaus patches to a standard-issue army jacket, he created not so much a garment, but an obsession. When Raf collectors talk about the item today, it’s identified not just by the year and the season it was released, but also the collection name and how it was part of one of his seminal seasons.

This archive obsession around the designer is part of a wider “archival” movement that has been dominating menswear over the past five years. Online resell platforms like Grailed, where the $47,000 bomber was sold, along with eBay, Depop, Selfridges’s own RESELLFRIDGES concept and a whole slew of archival-focused Instagram dealers and dedicated fan pages has meant that access and awareness around covetable designers like Raf and many others is greater than ever. In a 2017 talk with the designer at the Harvard Graduate School of Design, longtime Simons collaborator Sterling Ruby professed admiration for it: “I really like the Grailed phenomenon… An entirely younger demo is looking at [clothing] from a collector’s perspective.”

Shot from the AW03/04 show, Closer. Image courtesy of Raf Simons. Reissued parka featuring Peter Saville’s artwork for New Order’s album Power, Corruption & Lies. 

At a time when archive obsession has crept from a once-modest subculture of avid collectors and bargain hunters to become the centre of the cultural zeitgeist, it seems fitting that Simons is entering the market with a new project reissuing 100 archival grails. Titled Raf Simons Archive Redux – a nod to his encyclopaedic 2005 tome Raf Simons Redux – the collection has been created to celebrate the occasion of the label’s quarter-century anniversary last year. “These garments reflect the shifts of time, highlighting pieces that have an instinctive relevance to the world of today,” reads the press release issued last July. “There is no hierarchy or system to the choices: they are pure creative decisions.”

At a time when archive obsession has crept from a once-modest subculture of avid collectors and bargain hunters to become the centre of the cultural zeitgeist, it seems fitting that Simons is entering the market with a new project reissuing 100 archival grails. Titled Raf Simons Archive Redux – a nod to his encyclopaedic 2005 tome Raf Simons Redux – the collection has been created to celebrate the occasion of the label’s quarter-century anniversary last year. “These garments reflect the shifts of time, highlighting pieces that have an instinctive relevance to the world of today,” reads the press release issued last July. “There is no hierarchy or system to the choices: they are pure creative decisions.”

Up until now, fans have been mostly left in the dark as to what to expect from the Archive Redux. The initial line-up of images included items from his first collection for autumn/winter 1995, presented (quite aptly for our current moment) in video form; the Kraftwerk-referencing red shirts and slim ties of autumn/winter 1998’s Radioactivity show; and the KOLLAPS hoodies from spring/summer 2002’s Woe Onto Those Who Spit on the Fear Generation… The Wind Will Blow It Back. The other 97 garments that would be sold as part of the archival drop were left unconfirmed. But if the statement was anything to go by, it meant the reissues would go beyond the typical hits and offer the new generation of Raf Simons followers a chance to experience these garments for the first time. Or what the press release describes as: “a nostalgia for the unknown.”

Up until now, fans have been mostly left in the dark as to what to expect from the Archive Redux. The initial line-up of images included items from his first collection for autumn/winter 1995, presented (quite aptly for our current moment) in video form; the Kraftwerk-referencing red shirts and slim ties of autumn/winter 1998’s Radioactivity show; and the KOLLAPS hoodies from spring/summer 2002’s Woe Onto Those Who Spit on the Fear Generation… The Wind Will Blow It Back. The other 97 garments that would be sold as part of the archival drop were left unconfirmed. But if the statement was anything to go by, it meant the reissues would go beyond the typical hits and offer the new generation of Raf Simons followers a chance to experience these garments for the first time. Or what the press release describes as: “a nostalgia for the unknown.”

Reissued oversized destroyed V-neck sweater with F-badge, as seen on the AW16/17 runway (coming soon)

Simons isn’t the first designer to dip his toes into archive reissues. In 2017, Helmut Lang (the brand) launched Re-Edition, a reissue of 15 of the designer's most iconic and memorable garments from the late 90s and early 00s, the period when Helmut Lang (the designer) still headed up the namesake brand (a concept which was brought back again last year at Selfridges). Like Simons today, the re-editions were the kind of things that Helmut Lang fans would previously have had to turn to designer vintage specialists to get their hands on. The following year, Prada, where Simons is now Co–Creative Director also revived its iconic Linea Rossa nylon range. For Ms Prada, they were not an effort to go “back to your roots, but to declare who you are,” as she told GQ in 2018.

Perhaps it's Miuccia’s words of wisdom that have rubbed off on Raf. After all, the stuff represented in his long back catalogue is recognised as some of the most important collections in menswear history. They’ve influenced entire generations of designers that have followed him and changed the way his forerunners do their jobs today. He has shifted the landscape of men’s clothing, and since his 1995 debut, there’s been a long list of names who have taken inspiration and looked to channel the same disruptive energy of unsettled youth into fashion.

Shop the reissues: 1996–2002

Having studied furniture design in Belgium, Raf Simons moved into fashion with an internship at the studio of Walter Van Beirendonck, leading him to create his first collection in 2005 at the Royal Academy of Fine Arts in Antwerp. The collections gained an immediate following, blending a youthful ‘outsider’ aesthetic with a keen eye for tailoring.

Back in 2004, New York Times fashion critic Cathy Horyn said that it was Simons who had made Hedi Slimane, former Creative Director of Dior Homme and Yves Saint Laurent, “possible”. In 2014, Virgil Abloh made his confessions of being a Raf Simons superfan. “I think what drew me to his work was his intellectualised view of current culture. His approach is so reality-based,” said Virgil Abloh in a Vogue interview on Raf Simons’s impact. “His early work is social commentary on being young, and that approach to fashion resonates with me the most.” Even Kanye West humbled his fashion ego for Simons, hailing the designer as his “idol” in 2008.

It’s not just fashion designers that love Raf either. His influence in music, in particular hip-hop has been elevated by none other than A$AP Rocky who first name-dropped the designer in his 2011 track ‘Peso’. It is also Rocky who has helped establish “Raf” as a household expression – a feat that’s only ever achieved by the type of designers who get referred to solely by their forename. Think Rei, Hedi or Yohji. As well as attending his live runway shows and being regularly photographed in his pieces, Rocky has shown his admiration for the designer by dedicating whole tracks to Raf like the Twitter freestyle called ‘Please Don’t Touch My Raf” and follow-up single ‘Raf’, which saw a music video with the A$AP Mob along with rappers Playboi Carti and Quavo spitting verses while dressed in “rare Raf” pieces.

Shop the reissues: 2003–2010

The design codes of Raf Simons’s eponymous label continued to develop – with clothes continually inspired by and imbued with the emotion of subcultures and romance of youth – as he balanced this with the more minimalist designs at Jil Sander’s menswear and womenswear collections (2005–2012).

Image from the SS02 collection,  Woe unto those who spit on the fear generation… the wind will blow it back. Image courtesy of Raf Simons. Shop the reissued Oversized sleeveless hooded sweater with Kollaps logo here.

If the lyrics and videos weren’t enough, Rocky further solidified Raf’s status as a bona fide “fashion god” with statements about his place in culture. “I feel like Raf Simons is important for the culture based on the fact that he built a whole new religion around fashion,” said A$AP in a Time 100 interview. “His archive is more important and relevant than anything that’s out today… When you wrap your mind around the concept that he wrote the future of fashion and design in the 1990s and early 2000s, then you’ll also understand why Raf is the greatest to ever do it.”

If the lyrics and videos weren’t enough, Rocky further solidified Raf’s status as a bona fide "fashion god" with statements about his place in culture. “I feel like Raf Simons is important for the culture based on the fact that he built a whole new religion around fashion,” said A$AP in a Time 100 interview. “His archive is more important and relevant than anything that's out today...When you wrap your mind around the concept that he wrote the future of fashion and design in the 1990s and early 2000s, then you'll also understand why Raf is the greatest to ever do it.”

Rocky’s comments aren’t an overstatement either. It’s widely acknowledged that Simons didn't just provide perspective on the trends we see across menswear today... he established those codes himself. By fusing the energy and singularity of teenage subcultures with the sharpness and precision of traditional menswear, Simons not only presented a radically different image of masculinity but it also shaped the relationship between streetwear and high-end fashion, years before designers like Virgil Abloh and Kim Jones popularised the trend in the mainstream. That’s why his “old” pieces look so good paired with the designs of today. They're all part of the same lineage. Simons is the source material.

Rocky’s comments aren’t an overstatement either. It’s widely acknowledged that Simons didn’t just provide perspective on the trends we see across menswear today – he established those codes himself. By fusing the energy and singularity of teenage subcultures with the sharpness and precision of traditional menswear, Simons not only presented a radically different image of masculinity but it also shaped the relationship between streetwear and high-end fashion, years before designers like Virgil Abloh and Kim Jones popularised the trend in the mainstream. That’s why his “old” pieces look so good paired with the designs of today. They're all part of the same lineage. Simons is the source material.

After 25 years of being inspired by and creating uniforms for outsider youth, it only makes sense that he dedicates this collection to kids that originally inspired him. Simons himself has acknowledged the importance of his loyal young fanbase in various interviews and brand statements. In an interview with AnOther Magazine he explained: “What gives me enormous satisfaction is that we have an incredible following from a young crowd. I don’t know if it is because I understand them or because they understand me. I have always thought – and will never change my mind – that children and kids, youth, are our future. That’s by definition the case, so that’s also why it’s important to pay attention.” Meanwhile in the introduction to his fashion tome, Raf Simons Redux, Simons explains his work and label is not about himself, but rather “has always been, and will always continue to be, about us, about we, about you.”

Perhaps this is why he wants to give back to the audience that has continued to support him over the years while giving new fans an opportunity to experience these grails for the first time and purchase them at a reasonable price. While real archivists may insist that the project is nothing compared to originals, the continued cult following around the Raf Simons label will undoubtedly make these reissues collectible objects in and of themselves.

Shop the reissues: 2010 – Future

Music, art and film continue to influence Raf Simons’s designs to this day, with each collection paying heed to the past while looking firmly forward. Having made his mark on the house of Dior (2012–2015), Simons announced his role as Co-Creative Director at Prada in February 2020.