Fans of the series will have seen ‘Miss Arden’ in this final season, and seen Kitty leave the store to go to work for her in New York. In reality, it was never the store cosmetics buyer (a formidable lady called Mrs Nellie Elt) who went to work in New York – it was Harry’s daughter Violette who, post her divorce from Jacques de Sibour and needing a job, found one at Elizabeth Arden.
This is the essence of the conundrum about dramatizing and combining retail and social history. How much is true and how much truth needs to be told to entertain an audience? In bringing Harry’s story to the screen, the decades were compacted (he left the store in 1940 not in 1929) and much detail about the nuts and bolts of running a store had to be excluded. The writers who have been working so hard on the scripts for Mr Selfridge for the past five years have often merged reality with fantasy – not least with the lead characters who work in the store – many of whom were invented and named by Andrew Davies, who originally created the series.
Of course the main elements of Harry’s family were all ‘real’: his wife Rose, his mother Lois, his son Gordon Jr; his daughters and even his Butler, Fraser – although some of the story-lines attached to them have involved lot of artistic licence! But in the real store there was no Agnes, Kitty or Doris. No Mr Crabb, nor Mr Grove, or Miss Mardle and no George Towler. All their jobs existed but sadly the staff records did not – and other than describing some of the very senior directors, the story I wrote was about Harry himself and how he created the dynamics of contemporary retailing over a hundred years ago.